Free PDF A New Course in Reading Pali: Entering the Word of the BuddhaBy James W. Gair, W. S. Karunatillake

Free PDF A New Course in Reading Pali: Entering the Word of the BuddhaBy James W. Gair, W. S. Karunatillake

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A New Course in Reading Pali: Entering the Word of the BuddhaBy James W. Gair, W. S. Karunatillake

Free PDF A New Course in Reading Pali: Entering the Word of the BuddhaBy James W. Gair, W. S. Karunatillake

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This book is intended and serve as an introduction to the reading of Pali texts. For that purpose, it uses authentic readings especially compiled for the purpose drawn largely from Theravada canonical works, both prose and poetry. The reading are in Roman script, and carefully graded for difficulty, but they have also been selected so that each of them is a meaningful and complete reading in itself, so as to introduce some basic concepts and ways of thought of Theravada Buddhism. This book thus offers and opportunity to become acquainted with the ways in which the teachings of the Buddha are embodied in the language, a sense that it impossible to determine from English translations. The book contains 12 lessons. Each of them has three parts: (1) a set of basic readings and an accompanying glossary, (2) grammatical notes on the forms in the less, and (3) a set of further readings with its own glossary. The further readings introduce no new grammatical points, but reinforce ones already presented and give further practice in them. The work concludes, fittingly, with the Buddha s first sermon, The Dhammacakkapavattana Sutta. A cumulative glossary and index to the grammar is also provided.

The text has been used successfully in its preliminary form at several universities, but it may also be used for self-study.

• Sales Rank: #717405 in Books
• Brand: Brand: Motilal Banarsidass
• Published on: 2013-03-13
• Original language: English
• Dimensions: 9.00" h x 6.00" w x .50" l, 1.10 pounds
• Binding: Hardcover
• 207 pages

Features

• Used Book in Good Condition

Language Notes
Text: English

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A New Course in Reading Pali: Entering the Word of the BuddhaBy James W. Gair, W. S. Karunatillake PDF

A New Course in Reading Pali: Entering the Word of the BuddhaBy James W. Gair, W. S. Karunatillake PDF

A New Course in Reading Pali: Entering the Word of the BuddhaBy James W. Gair, W. S. Karunatillake PDF

A New Course in Reading Pali: Entering the Word of the BuddhaBy James W. Gair, W. S. Karunatillake PDF

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Download How to Write About Contemporary ArtBy Gilda Williams

Download How to Write About Contemporary ArtBy Gilda Williams

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How to Write About Contemporary ArtBy Gilda Williams

Download How to Write About Contemporary ArtBy Gilda Williams

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An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art

How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs.

In counseling the reader against common pitfalls―such as jargon and poor structure―Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk.

Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today. 34 illustrations and 64 Source Texts

• Sales Rank: #39208 in Books
• Published on: 2014-10-14
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x .70" w x 5.70" l, .22 pounds
• Binding: Paperback
• 264 pages

Review
“With How To Write About Contemporary Art Gilda Williams has created an illuminating, engaging and urgent guide to contemporary art-writing. While this is clearly essential reading for arts students and those at the start of a career in arts writing or criticism , it is equally invaluable for anyone involved in the art world that needs to transmit information and ideas in written form about contemporary art. So that’s basically all of us.” (Hans Ulrich Obrist, co-Director, Serpentine Gallery)

“Finally. A book that teaches you how to write and think clearly about art. I can imagine this book inspiriting future generations to write legibly and intelligently art criticism, a field that's become too hermetic and convoluted for its own good. Revolutionary, radical and long overdue. Bravo!” (Kenneth Goldsmith, poet and founder, UbuWeb)

“A rare guide to writing practice that's also a wonderfully engaging read in itself, Gilda Williams's How to Write about Contemporary Art interweaves plainspoken advice on the practical nuts-and-bolts of art criticism with trenchant observations about the conditions of the profession, all delivered in the voice of a savvy, generous friend. With a long track record as both a writer for and editor at leading journals and publishing houses, Williams knows the field from both sides this valuable book engages not only the hows but, crucially, also the whys of art writing.” (Jeff Kastner, Editor, Cabinet magazine)

“Bless you, Gilda Williams, for reminding us that fear is the root of bad writing, and for showing us how to take courage. Art writing can be deep, accurate, surprising, and even beautiful―and with any luck, How to Write about Contemporary Art will spark a renascence of the deep, accurate, surprising, beautiful art writing we so badly need.” (Barry Schwabsky, art critic, The Nation)

“Artforum correspondent Williams applies lessons in graceful prose to the field of art writing… [She] excels when looking at excerpts from accomplished critics, including Rosalind Krauss and Walter Benjamin, and when giving nuts-and-bolts advice for crafting specific genres of art-world documents (catalogue essays, short news articles, academic essays, and the like) [This] how-to provides enough art-specific insights to cut through the garble so common in the field.” (Publishers Weekly)

“In outlining exactly how an auction catalogue differs from a museum’s wall label and a magazine review, down to the vocabulary and tone each should accommodate, Williams gives insight to the inner workings of very different industries: academia, auction houses and mainstream and professional press. Her systematic analysis of the current state of art writing is a first [and her] methodology is flawless.” (frieze)

“Fantastic... a straight-forward must-read for every writer, reader, artist and designer. Williams holds your hand, explaining why you need to do it, what you need to do, and how to do it.” (FullScream.com)

“Thrillingly clear ... a beautifully formed guide to writing [...] should be required reading across every creative discipline. Essential!” (Dressingtheair.com)

“A thoroughly sensible and accessible guide to writing that could almost be applied to any subject.” (artbookreview.com)

“Artforum correspondent Williams applies lessons in graceful prose to the field of art writing...[She] excels when looking at excerpts from accomplished critics, including Rosalind Krauss and Walter Benjamin, and when giving nuts-and-bolts advice for crafting specific genres of art-world documents (catalogue essays, short news articles, academic essays, and the like) [This] how-to provides enough art-specific insights to cut through the garble so common in the field.” (Publishers Weekly)

“Illuminates contemporary art writing, providing insights into what we write about when we write about art....[Williams] reenvisions what it means to be a professional art writer and outlines the methods, ethics and even the financing that could see the role of the writer codified and professionalized in a new and important way in the art world of tomorrow.” (Burnaway)

“Admirably practical and instructive. . . . Accessible, well-organized, and example-rich, How to Write About Contemporary Art provides a welcome refresher course for writers who might not have known they need one. . . . Williams clearly loves the craft of criticism. Rather than rag on examples of unfortunate critical prose, she smartly confines her excerpted examples to writing she admires, even adores. Like good art, the book, however basic, inspires you to want to write your own criticism.” (Hyperallergic)

About the Author
Gilda Williams is a London correspondent for Artforum and lecturer at Goldsmiths College and Sotheby’s Institute of Art, London. From 1994 to 2005 she was Editor and then Commissioning Editor at Phaidon Press. She is a former managing editor at Flash Art International and her writing has appeared in Tate Etc., Parkett, Art Monthly, Art in America and Time Out. Williams is author of The Gothic (2007) and has contributed to catalogues for exhibitions at the Whitechapel Art Gallery, London, the 48th Venice Biennale, and the Stedelijk Van Abbemuseum, Rotterdam, among others.

How to Write About Contemporary ArtBy Gilda Williams PDF
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How to Write About Contemporary ArtBy Gilda Williams PDF

How to Write About Contemporary ArtBy Gilda Williams PDF

How to Write About Contemporary ArtBy Gilda Williams PDF

How to Write About Contemporary ArtBy Gilda Williams PDF

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